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ANEMONES research, a series of essays research papers

• Gianluca Di Fratta
  

ROBOT

Phenomenology of giga nti iron Japanese

Year: 2007
130 pp., 14.80 cm x 21 cm, illustrations in b / w, hardback

with color cover

Euro 14.50 The Book: With the introduction of the first anime gender robotic television schedules in Europe, is gradually emerging in the collective perception of the concept of a new robot: The Iron Giant, giant incomparable technological paraphernalia and indomitable fighting spirit is intended to update the eternal conflict between Good and Evil and inspire a new category of ethical values \u200b\u200band behavior. But above all, to provide an ever more technology in Japan and its society. Through a comparison with the history and culture of robotics in the West, the points of contact between the two traditions and the influences in terms of technology, you can highlight the symbolic value taken by the robot in Japan. In perpetual oscillation between the distant past of ancient traditions and the desire for advanced manufacturing and in anticipation of a technological world, the fictional Japanese gave to questions the recent appearance of ancient samurai and turned them into a standard on which stands the image of a Japan that incorporates the ritual ceremony and the mechanical precision of the device. In this context, a key role was played on the toy industry has exported an image that first play of the Japanese robot, helping to revive the economy after the war, but also from a culture of sci-fi film than on gigantism has based its larger production.

Notes: Revlews Alessia Martini, Marco Pellitteri, Roberta Ponticiello, Mrs. William, Alessandro Vietti.